{"id":3590,"date":"2022-02-01T11:41:42","date_gmt":"2022-02-01T10:41:42","guid":{"rendered":"https:\/\/dev-tests.videoformes.com\/?page_id=3590"},"modified":"2025-03-11T14:46:37","modified_gmt":"2025-03-11T13:46:37","slug":"ciciliato","status":"publish","type":"page","link":"https:\/\/festival2025.videoformes.com\/en\/exhibitions\/ciciliato\/","title":{"rendered":"Ciciliato Vincent"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"3590\" class=\"elementor elementor-3590 elementor-3589\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-38849c1 elementor-section-content-middle trait-after elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"38849c1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fc39742\" data-id=\"fc39742\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-912cd0a elementor-widget elementor-widget-image\" data-id=\"912cd0a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"568\" src=\"https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-1024x568.jpg\" class=\"attachment-large size-large wp-image-9465\" alt=\"\" srcset=\"https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-1024x568.jpg 1024w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-300x166.jpg 300w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-768x426.jpg 768w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-1536x852.jpg 1536w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-2048x1136.jpg 2048w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-260x144.jpg 260w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-50x28.jpg 50w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/01\/sabia-vincent-ciciliato-1-1-135x75.jpg 135w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d126857\" data-id=\"d126857\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-734d106 kill-mg-bot elementor-widget elementor-widget-text-editor\" data-id=\"734d106\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>\u00a0Thursday, March 13 &#8211; Sunday, March 30<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2e1b591 kill-mg-bot elementor-widget elementor-widget-heading\" data-id=\"2e1b591\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\"><i>SABIA-VR<\/i><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ad2cc3e kill-mg-bot elementor-widget elementor-widget-text-editor\" data-id=\"ad2cc3e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9896695 kill-mg-bot elementor-widget elementor-widget-text-editor\" data-id=\"9896695\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><p>[Requiem for Nature]<\/p><div class=\"elementor-widget-container\"><h4>Vincent CICILIATO<\/h4><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-87b6a80 kill-mg-bot elementor-widget elementor-widget-text-editor\" data-id=\"87b6a80\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong><a href=\"https:\/\/maps.app.goo.gl\/crMg4HjmgWKBUeSE8\">Chapelle de l\u2019Ancien H\u00f4pital G\u00e9n\u00e9ral<\/a><br \/><\/strong><strong> left alley<br \/>In partnership with Pl\u00e9iades, the Digital Arts Festival<br \/><\/strong><\/p><p><strong>Opening hours:<\/strong><br \/>Tuesday to Saturday, 1pm to 7pm<br \/>Sunday from 2pm to 6pm<\/p><p><strong>Fress access<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-37b2cc8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"37b2cc8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-47ed4d0\" data-id=\"47ed4d0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-33dac28 elementor-widget elementor-widget-heading\" data-id=\"33dac28\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">The art:<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eb73cd3 elementor-widget elementor-widget-text-editor\" data-id=\"eb73cd3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em><strong>SABIA-VR<\/strong><\/em> is a scenographic VR adaptation of the eponymous piece by composer Juan Arroyo. Sabia (\u201cwise\u201d in Spanish) is a non\u2010liturgical Requiem for Nature questioning the conflicting relationship between Humans and Nature. The visual adaptation takes the form of a simulated audiovisual space.<\/p><p>The instrumentalists being placed at different points in a space mixing post\u2010industrial decor and natural gigantism, the spectator can move freely by modifying their listening point, and consequently their apprehension of the spatialized musical composition.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5c4d9f2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5c4d9f2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-83167a8\" data-id=\"83167a8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9222385 elementor-widget elementor-widget-text-editor\" data-id=\"9222385\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h4>Credits :<\/h4><p><strong>A composition of Juan Arroyo. Visual adaptation &amp; VR scenography<br \/>Year of production<\/strong>: Musical composition 2020-21 VR image production and scenography 2023<br \/><strong>Production:<\/strong> Proxima Centauri (<a href=\"https:\/\/proximacentauri.fr\">https:\/\/proximacentauri.fr<\/a>) \/ Virtual scenes (<a href=\"http:\/\/scenesvirtuelles.fr\/\">http:\/\/scenesvirtuelles.fr\/<\/a>) \u00a0<br \/><strong>Composition<\/strong>: Juan ARROYO (<a href=\"https:\/\/juan-\u2010arroyo.com\/fr\">https:\/\/juan-\u2010arroyo.com\/fr<\/a>) \u00a0<br \/><strong>VR production and scenography <\/strong>: Vincent \u00a0 CICILIATO (<a href=\"https:\/\/www.vincentciciliato.net\/\">https:\/\/www.vincentciciliato.net\/<\/a>)<br \/><strong>Distribution :<\/strong> <span style=\"text-decoration: underline;\">Flute <\/span>: Sylvain Millepied<em> \/<\/em><span style=\"text-decoration: underline;\"> Saxophone :<\/span> Marie\u2010Bernadette Charrier \/ <span style=\"text-decoration: underline;\">Piano<\/span> : Hilomi Sakaguchi \/ <span style=\"text-decoration: underline;\">Percussion <\/span>: Beno\u00eet Poly \/ <span style=\"text-decoration: underline;\">Electronique<\/span> : Christophe HAVEL <br \/><strong>Audio recordings<\/strong>: Studios \u00a0Radio \u00a0France \u00a0<br \/><strong>3D topographic plans:<\/strong> \u00a0Marion \u00a0ROCHE &amp; \u00a0Benjamin PETI\u00a0<br \/><strong>Localisation<\/strong>: Thiers<br \/><strong>Artist shots on a green screen:<\/strong> Th\u00e9\u00e2tre Quatre Saisons, Gradignan <br \/><strong>Partners<\/strong>: Ville de Thiers (camera) \/ Creux de l&#8217;Enfer (logistical support) \/ Radio France \/ ECLLA Laboratoire \/ Centre national de la musique \/ Sacem \/ L&#8217;Autre musique \/ Les Limbes \/ Videoformes \/ Ana\u00efs met den Ancxt<\/p><p><a href=\"https:\/\/www.vincentciciliato.net\/\">Website<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a785b52 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"a785b52\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-divider{--divider-border-style:none;--divider-border-width:1px;--divider-color:#0c0d0e;--divider-icon-size:20px;--divider-element-spacing:10px;--divider-pattern-height:24px;--divider-pattern-size:20px;--divider-pattern-url:none;--divider-pattern-repeat:repeat-x}.elementor-widget-divider .elementor-divider{display:flex}.elementor-widget-divider .elementor-divider__text{font-size:15px;line-height:1;max-width:95%}.elementor-widget-divider .elementor-divider__element{margin:0 var(--divider-element-spacing);flex-shrink:0}.elementor-widget-divider .elementor-icon{font-size:var(--divider-icon-size)}.elementor-widget-divider .elementor-divider-separator{display:flex;margin:0;direction:ltr}.elementor-widget-divider--view-line_icon 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.elementor-divider-separator:before,.elementor-widget-divider--separator-type-pattern:not([class*=elementor-widget-divider--view]) .elementor-divider-separator{width:100%;min-height:var(--divider-pattern-height);-webkit-mask-size:var(--divider-pattern-size) 100%;mask-size:var(--divider-pattern-size) 100%;-webkit-mask-repeat:var(--divider-pattern-repeat);mask-repeat:var(--divider-pattern-repeat);background-color:var(--divider-color);-webkit-mask-image:var(--divider-pattern-url);mask-image:var(--divider-pattern-url)}.elementor-widget-divider--no-spacing{--divider-pattern-size:auto}.elementor-widget-divider--bg-round{--divider-pattern-repeat:round}.rtl .elementor-widget-divider .elementor-divider__text{direction:rtl}.e-con-inner>.elementor-widget-divider,.e-con>.elementor-widget-divider{width:var(--container-widget-width,100%);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8e637b6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8e637b6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-09f228a\" data-id=\"09f228a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-762b01e elementor-widget elementor-widget-heading\" data-id=\"762b01e\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">The artist:<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-00dd98f elementor-widget elementor-widget-text-editor\" data-id=\"00dd98f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Vincent Ciciliato is an artist working in the field of technological arts. His work focuses on the creation of fictional and allegorical spaces, creating a tension between scenic components and physicality. The simplicity of the gestures, actions and locations used in her creations, as well as the almost systematic use of the fixed shot &#8211; which brings the images produced closer to pictorial or photographic permanence &#8211; are all pretexts for questioning the nature and instability of the contemporary body and its figuration through the exploration of certain of its plastic leitmotivs: gestural looping, fragmentation, hybridizations, micro-temporalities. Her productions invest various forms of digital creation, such as installation, interactivity, virtual reality space simulation, artificial intelligence and sound creation, while currently opening up to more traditional fields such as drawing and the practice of miniature painting. This has been achieved through his recent exploration of a variety of materials from the folklore of his native southern Italy &#8211; religious waxworks, ex-voto and votive images, miniature settings and scenes &#8211; exploring both their plastic and conceptual roots.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-dbf7d75\" data-id=\"dbf7d75\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-eb55e26 elementor-widget elementor-widget-image\" data-id=\"eb55e26\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"764\" height=\"1024\" src=\"https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-764x1024.png\" class=\"attachment-large size-large wp-image-13735\" alt=\"\" srcset=\"https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-764x1024.png 764w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-224x300.png 224w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-768x1030.png 768w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-1146x1536.png 1146w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-109x146.png 109w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-37x50.png 37w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52-56x75.png 56w, https:\/\/festival2025.videoformes.com\/wp-content\/uploads\/2025\/02\/Capture-decran-2025-02-26-a-10.25.52.png 1326w\" sizes=\"(max-width: 764px) 100vw, 764px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-53d4187 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"53d4187\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c396c16\" data-id=\"c396c16\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b832185 elementor-widget elementor-widget-heading\" data-id=\"b832185\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-large\">ARTIST PORTRAIT : <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f370f91 elementor-widget elementor-widget-video\" data-id=\"f370f91\" data-element_type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=2EYBPmmuPq4&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-video .elementor-widget-container{overflow:hidden;transform:translateZ(0)}.elementor-widget-video .elementor-wrapper{aspect-ratio:var(--video-aspect-ratio)}.elementor-widget-video .elementor-wrapper iframe,.elementor-widget-video .elementor-wrapper video{height:100%;width:100%;display:flex;border:none;background-color:#000}@supports not (aspect-ratio:1\/1){.elementor-widget-video .elementor-wrapper{position:relative;overflow:hidden;height:0;padding-bottom:calc(100% \/ var(--video-aspect-ratio))}.elementor-widget-video .elementor-wrapper iframe,.elementor-widget-video .elementor-wrapper video{position:absolute;top:0;right:0;bottom:0;left:0}}.elementor-widget-video .elementor-open-inline .elementor-custom-embed-image-overlay{position:absolute;top:0;right:0;bottom:0;left:0;background-size:cover;background-position:50%}.elementor-widget-video .elementor-custom-embed-image-overlay{cursor:pointer;text-align:center}.elementor-widget-video .elementor-custom-embed-image-overlay:hover .elementor-custom-embed-play i{opacity:1}.elementor-widget-video .elementor-custom-embed-image-overlay img{display:block;width:100%;aspect-ratio:var(--video-aspect-ratio);-o-object-fit:cover;object-fit:cover;-o-object-position:center center;object-position:center center}@supports not (aspect-ratio:1\/1){.elementor-widget-video .elementor-custom-embed-image-overlay{position:relative;overflow:hidden;height:0;padding-bottom:calc(100% \/ var(--video-aspect-ratio))}.elementor-widget-video .elementor-custom-embed-image-overlay img{position:absolute;top:0;right:0;bottom:0;left:0}}.elementor-widget-video .e-hosted-video .elementor-video{-o-object-fit:cover;object-fit:cover}.e-con-inner>.elementor-widget-video,.e-con>.elementor-widget-video{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fccfb5b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fccfb5b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e63b6a4\" data-id=\"e63b6a4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-679d72f elementor-widget elementor-widget-heading\" data-id=\"679d72f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">MORE INFORMATIONS...<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-11f0392 elementor-widget elementor-widget-accordion\" data-id=\"11f0392\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-accordion{text-align:left}.elementor-accordion .elementor-accordion-item{border:1px solid #d5d8dc}.elementor-accordion .elementor-accordion-item+.elementor-accordion-item{border-top:none}.elementor-accordion .elementor-tab-title{margin:0;padding:15px 20px;font-weight:700;line-height:1;cursor:pointer;outline:none}.elementor-accordion .elementor-tab-title .elementor-accordion-icon{display:inline-block;width:1.5em}.elementor-accordion .elementor-tab-title .elementor-accordion-icon svg{width:1em;height:1em}.elementor-accordion .elementor-tab-title .elementor-accordion-icon.elementor-accordion-icon-right{float:right;text-align:right}.elementor-accordion .elementor-tab-title .elementor-accordion-icon.elementor-accordion-icon-left{float:left;text-align:left}.elementor-accordion .elementor-tab-title .elementor-accordion-icon .elementor-accordion-icon-closed{display:block}.elementor-accordion .elementor-tab-title .elementor-accordion-icon .elementor-accordion-icon-opened,.elementor-accordion .elementor-tab-title.elementor-active .elementor-accordion-icon-closed{display:none}.elementor-accordion .elementor-tab-title.elementor-active .elementor-accordion-icon-opened{display:block}.elementor-accordion .elementor-tab-content{display:none;padding:15px 20px;border-top:1px solid #d5d8dc}@media (max-width:767px){.elementor-accordion .elementor-tab-title{padding:12px 15px}.elementor-accordion .elementor-tab-title .elementor-accordion-icon{width:1.2em}.elementor-accordion .elementor-tab-content{padding:7px 15px}}.e-con-inner>.elementor-widget-accordion,.e-con>.elementor-widget-accordion{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-accordion\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1881\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1881\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">INTERVIEW WITH THE ARTIST<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1881\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1881\"><p><em>Interview by Fanny Bauguil (VIDEOFORMES relay teacher) <br \/><\/em><\/p><ul><li><strong>How would you describe this installation? What do we see? What do we hear? What do we do?<\/strong><\/li><\/ul><p>Sabia-VR is a virtual reality scenographic adaptation of the eponymous piece by composer Juan Arroyo. The installation is composed of several scenographic elements. A virtual reality headset provides access to the simulated environment. This plunges us into a mountainous cove bordered by abandoned industrial buildings. The viewer is invited to move freely within this setting. At the start of the work, the site is plunged into semi-darkness, before gradually revealing itself, highlighting the four performers of the musical piece: Beno\u00eet Poly on percussion, Hilomi Sakagushi on piano, Sylvain Millepied on transverse flute, Marie-Bernadette Charrier on saxophone, Christophe Havel interpreting the electronic sources. As in a video game, the spectator&#8217;s movement within the simulated set enables sound sources to be spatialized in real time. This dynamic mix is broadcast throughout the installation. The individual viewpoint of the viewer-listener is broadcast simultaneously into a wooden video box, placed on a table, also made of wood and of fairly ordinary construction. This scenographic choice, playing on a certain familiarity with the broadcast media, enables the simulated image to acquire a materiality akin to a miniature stage or diorama.<\/p><ul><li><strong>Is this the first time this installation has been presented to the public? Can you tell us a little about the process involved in creating this work?<\/strong><\/li><\/ul><p>No. The piece has been presented on several occasions, in various versions: prototypes, finished piece. The work was commissioned by the Bordeaux-based electroacoustic music ensemble Proxima Centuri. The Proxima Centuri association is also behind the production of a stage version of Juan Arroyo&#8217;s musical work in 2019. The team contacted me to create a virtual reality adaptation of the work, and asked me to work freely on the scenography. The collaboration was a natural one, as I&#8217;d already worked with the team on two other immersive projects (Il Canto dei Suicidi, 2021; Analog, 2022).<\/p><ul><li><strong>Which artists (in all fields) or, more generally, which art forms have inspired your creative process, and what references, if any, do you allude to in this installation?<\/strong><\/li><\/ul><p>My inspirations are manifold, ranging from film and video production (Jan Svankmajer, Alejandro Jodorowski, Martin Arnold, Daniele Cipr\u00ec and Franco Maresco, Gary Hill, etc.), through graphic production (Dado, Topor, Crumb, etc.), to certain contemporary digital achievements (Bill Seaman, Granular Synthesis, Boris Labb\u00e9, etc.). Music and sound creation as a whole also play a very important role in my creative process. In terms of form, the world staged in Sabia-VR is partly inspired by popular practices based on the principle of miniaturization, such as dioramas and votive miniatures. The space was conceived as a model, in the theatrical sense of the term. In a way, its appearance reflects the aesthetic and phenomenological characteristics of Baroque miniatures from southern Italy. I&#8217;m thinking, for example, of the famous \u201crocaille effect\u201d, consisting in the assembly of prefabricated fake stones to produce mountainous concavities (a technique used by numerous miniaturists such as Caterina de Julianis and Gaetano Giulio Zumbo). The effect is a kind of virtual immersion before its time. The instrumentalists themselves are treated in a quite singular way, by eliminating their three-dimensionality: the silhouettes are as if cut from paper and arranged in their respective positions like Epinal pictures, vignettes placed on their three-dimensional supports. The result is a strange, life-size model effect, the artificiality of which is deliberately emphasized. Paradoxically, this reinforces its scenic, performative nature.<\/p><ul><li><strong>What are the difficulties, constraints, challenges&#8230; encountered during its development?<\/strong><\/li><\/ul><p>Unexpectedly, the production stages of the work proceeded smoothly and naturally. The technical issues were quickly individualized, resulting in appropriate solutions for each one. This is not always the case, on the contrary. Indeed, this type of project, which relies essentially on the integration of multiple sources (filmed video, sound media, simulated components) and the consideration of spectator behavior, more often than not entails numerous technical and logistical obstacles (adapting sources, integrating them into processing software, exporting the project, integrating spectator behavior into the dramaturgy, etc.). Aside from aspects specific to the production of the piece&#8217;s visual and sound content, it is possible to identify a certain difficulty more specifically concerning its staging. Indeed, one of the major challenges in the conception and dissemination of works in virtual reality, usually viewed through dedicated headsets, is that of moving beyond this simple, rather restrictive, dissemination framework. To circumvent this mode of presentation, which is often disappointing in the context of a public event, we chose to simultaneously broadcast the viewpoint of the viewer-listener, equipped with the VR headset, within a wooden video box, in turn placed on a wooden table. As a result, both the image and the sound composition can be perceived by viewers without VR headsets. The feeling of familiarity that emanates from the particular construction of the set, which in certain respects evokes a certain idea of interior, ordinary space, enables the inclusion of outside spectators within the work&#8217;s own dramaturgy.<\/p><ul><li><strong>Can you give us one or more web addresses where we can see your work?<\/strong><\/li><\/ul><p>https:\/\/www.vincentciciliato.net<br \/><a href=\"https:\/\/www.instagram.com\/vincentciciliato\/\">https:\/\/www.instagram.com\/vincentciciliato\/<\/a><\/p><ul><li><strong>A few keywords that would go well with your installation?<\/strong><\/li><\/ul><p>R\u00e9alit\u00e9 virtuelle, maquette, interpr\u00e9tation musicale, \u00e9lectroacoustique, anthropoc\u00e8ne, interactivit\u00e9, jeu vid\u00e9o<\/p><ul><li><strong>A few words about your artistic career? When did you first become interested in digital art? Do you manage to make a living from your creative activity?<\/strong><\/li><\/ul><p>Since the mid-2000s, I&#8217;ve been working mainly in the field of multimedia installation. This interest in digital technologies, both sound and visual, goes back to my childhood, when I discovered old programming &#8211; and especially gaming &#8211; environments such as the Commodore 64. However, I&#8217;m now increasingly involved in drawing, which tends to contaminate the entire formal universe of my productions.<\/p><p>My training is mainly based on a university curriculum, punctuated by the integration of various specialized teaching and research programs such as the ARI (Atelier de Recherche Interactive) post-graduate program at the Ecole Nationale Sup\u00e9rieur des Arts D\u00e9coratifs de Paris, in 2005; and the Fresnoy &#8211; Studio national des arts contemporains, in 2010-12. A large part of my work focuses on the creation of fictional and allegorical spaces, questioning the tension between scenic components and physicality. The simplicity of the gestures, actions and locations used in my creations, as well as the almost systematic use of the still shot &#8211; which brings the images produced closer to pictorial or photographic permanence &#8211; are all pretexts for questioning the nature and instability of the contemporary body and its figuration through the exploration of certain of its plastic leitmotifs: gestural looping, fragmentation, hybridizations, micro-temporalities. These attributes are most often invested through the use of digital technologies, which I approach as tools of phenomenological investigation.<\/p><p>Since 2013, I&#8217;ve also been a teacher-researcher in the Visual Arts department of the Universit\u00e9 Jean Monnet in Saint-Etienne, teaching Digital Arts. Fortunately, this main activity gives me a certain financial freedom to develop my artistic projects.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0499a7a elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0499a7a\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-16b68b4\" data-id=\"16b68b4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element 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[\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1871,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3590","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ciciliato Vincent | Festival VIDEOFORMES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festival2025.videoformes.com\/expositions\/ciciliato\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ciciliato Vincent | Festival VIDEOFORMES\" \/>\n<meta property=\"og:description\" content=\"\u00a0Thursday, March 13 &#8211; Sunday, March 30 SABIA-VR [Requiem 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